brightknightie: Janette and Nick in the Renaissance ("What makes you think that I'd take you back?") (IB)
Do Forever Knight's vampires ever cry blood tears? If so, in which episode and under what circumstances? (Obviously, their tears aren't always blood. We have on-screen saline tears and the usual appearance of their eyeballs.)

This is a worn-out old question, I know! But when [personal profile] dlyt asked me this week, I just couldn't remember for sure. Did blood tears migrate into FK fanfic purely from Ms. Rice's universe? Or is there canonical support that I just can't call to mind right now? I feel it on the edge of memory, for I surely used to know...?!

(I do remember discussing FK vampire physiology on the email lists. I especially remember that M. wanted to believe that FK vampires were completely unlike humans on the inside; his highly unusual theory was that they were sponges for blood, with no organs. My more ordinary stance is that their anatomy doesn't change on the inside any more than it does on the outside, and that how that anatomy may function would differ with a supernatural or a scientific explanation of the state.)

Among all FK's many, massive, dear inconsistencies, each fanwriter should choose what serves each story best! But is this one of FK's inconsistencies? Or a fandom blooper?

Thanks!

Addendum: Thanks to [personal profile] nicholas_lucien for the answer and [personal profile] greerwatson for a screenshot! In "Baby, Baby," Serena cries blood immediately after murdering the man on the tower by draining his blood.
brightknightie: Nick looking up. (Nick)
Please don't misinterpret this post as inviting contemporary politics to my fannish blog. This post is about FK.

That said, I've been wanting to share with you that FK's difficult episode "Dead Issue" had been a comfort to me in the misogynist ick circa the latter two US presidential debates. Maybe it can offer something similar to you, if you need it?

Few women don't have something buried raised by that indefensible stupidity and its defense. I found that certain swells of anxiety and sadness subsided when I remembered "Dead Issue," and thought on what Nick knows, and learns, and remembers. It's just a story, of course, but such reach and resonance in contextualizing and positioning reality is part of why and how we love stories, and why and how we love FK.

"Dead Issue" and its difficulties are one of the happy reasons that I've never been remotely able to reconcile to the fourth of Ophelia5's "Flowers" stories (the series that starts with "Physical Therapy," probably FKdom's most famous NC-17 story). Ophelia5 was such an outstanding writer that she could make feel natural and compelling many things from which I'd otherwise recoil, but that? No. Not. That.

Just remember "Dead Issue." In the flashbacks, Nick is but an observer of Ilsa's predicament. By the present, he is metaphorically Lynn, or she him; he's been there, too.
brightknightie: Lacroix, Janette and Nick in Victorian apparel (Trio Fang Gang)
[personal profile] skieswideopen has very generously been helping me brainstorm for my [community profile] fkficfest/[livejournal.com profile] fkficfest assignment. We've bumped into a few FK flashback ponderings that I think I can open up generally to everyone. I think that these won't reveal which prompts I received (or what I might do with them; I don't yet know, myself!).

If these inspire you to a story, in or out of the fest, please do write away! The more, the merrier!

Think over some FK history questions with us? :-)

1) Why London during the Blitz? )

2) What followed Lacroix wanting to abandon Janette? )

3) When did they become middle class? )
brightknightie: Janette c.1440-1460, wearing an embroidered net lace veil over her hair (Janette Historical)
"Dead Air" is often remembered more for its guest stars than its content. But the episode showcases certain elements of investigative technology of the day. It has first-season's wry humor. And it is rich in thematic reflections on attachment and betrayal, fidelity and independence, guilt and forgiveness, and the ability to start over.

Recap: This is the episode in which an escapee from a psychiatric hospital twice, while on the air with a radio call-in show, murders women because of unresolved issues with his mother. In flashbacks, Lacroix tortures and murders a man, with dialogue implying unresolved issues with his father. Schanke discovers the perpetrator in the hospital's files; Nick saves the radio host. In the end, the radio host leaves what she sees as degrading entertainment and returns to clinical practice.

some thoughts on DA )

What do you think?

Next: S1E11 "Hunters" (one of the few episodes with no standard abbreviation on ForKni-L)
brightknightie: Nick looking up. (Nick)
"I Will Repay" overflows with noteworthy content to the point that it's awkward to discuss. Every scene — almost every line — merits examination. We rely on this episode; it pervades fanfic. IWR underpins our collective understanding of Natalie. It marks a boundary of our consensus on physical FK vampirism. It cross-references other episodes! Most of all, IWR exposes the jaggedness of the no-man's-land between vampirism and humanity, vengeance and justice, anger and forgiveness, where Nick endures.

Recap: This is the episode in which Crown Attorney Richard Lambert, Natalie's brother, gets shot. Natalie persuades a reluctant Nick to convert the dying Richard to vampirism. Nick consults Janette, and remembers Elizabeth, a woman he converted to save her life, but whom he later killed when she murdered humans. As a vampire, Richard becomes a vigilante spree killer, including of the vile kingpin whose prosecution failed with Richard's apparent death, and of the witness who'd attempted to deal for protection. Nick and Richard fight. Richard is killed.

some thoughts on IWR )

What do you think?

Next: S1E10: "Dead Air" (DA)
brightknightie: Janette, wearing black-tasseled earrings (Janette Again)
"Cherry Blossoms" is another of early FK's many excellent episodes, and one of overall FK's very few episodes with genuine "ripped from the headlines" elements. It achieves an outstanding balance and mix of police and vampire storytelling components. It keeps a commanding rein on a number of dynamic themes. And it hands out character insights and banter with deceptive ease.

Recap: This is the episode in which one witness escapes a murder attempt by Hong Kong mobsters. Badly wounded, the witness finds refuge in a warehouse under the eye of an elderly acupuncturist. Nick finds the witness and her protector while Schanke escorts a Chinese-speaking immigration agent. Fearing a mole, Nick secretly brings Natalie to help treat the witness. The elderly acupuncturist misremembers Nick as his mother's murderer, and plans to execute Nick once the witness is safe. Janette helps the acupuncturist recover his true memory of Lacroix as the killer; he lets Nick go. In the end, Natalie happens to enter Nick's loft just as Nick and Janette are in each other's arms.

some thoughts on CB )

What do you think?

Next week: S1E09: "I Will Repay" (IWR)
brightknightie: Nick on his couch, smiling. (Nick Amused)
"False Witness" (S1E07) (FW) is challenging, uncomfortable at many points, and dearly loved by FK fandom for tidbits ranging from Myra as Skin Pretty saleswoman to Natalie as vintage film aficionado. The episode notoriously differs in every cut. And, airing over a month after its predecessor, it marked the end of the first little hiatus in what would become a series lifetime studded by noteworthy breaks.

Recap: This is the episode in which Nick arrives on the scene of a murder seconds after the fatal shot. The suspect is a notorious trafficker in underage girls whom the police have been trying to bring down for years. Nick lies that he saw the villain pull the trigger. Remembering a trial that convicted an innocent musician of a murder Janette committed, Nick, on the stand, at length tells the truth, and the villain walks free — until Nick solves the case properly, gets a warrant, and brings in both suspects. Further, this is the episode in which Janette learns what happened to Lacroix, and we get the famous King Kong and popcorn scene.

some thoughts on FW )

What do you think?

Next week: S1E08 "Cherry Blossoms" (CB)
brightknightie: Natalie leaning over Nick's shoulder (N&N)
I'm afraid that I'm not up to par for this rewatch reflection. I've got a vicious cold (maybe an ear infection). Might you help fill in my gaps?

"Dying to Know You" is a strong, rich episode. Some elements look back at whence the series has already come; at least one arguably foreshadows far ahead.

Recap: "Dying to Know You" (DTKY) (S1E06) is the episode in which the wife and daughter of Conrad Hedges, a wealthy philanthropist, are kidnapped, and the wife murdered, crimes later revealed to have been at Hedges's instigation to protect his secret. A psychic named Denise Ford, who has previously worked with Stonetree, assists Nick and Schanke's investigation after a vision about the kidnapping. Denise finds herself psychically aware of Nick's vampirism. She suspects her sanity. Wondering whether he should tell Denise his secret, Nick remembers Matthew, who committed suicide when Nick didn't confide in him (c.1649-1659). Nick tells Denise. As the bad guys are brought to bay, Hedges kills Denise; Nick blames himself.

some thoughts on DtKY )

What do you think?

Next week: "False Witness" (FW) (S1E07)
brightknightie: Nick raising his hand to touch the screen from the wrong side. (Nick Again)
The least and last of first-season Forever Knight far exceeds the best and brightest of many another television series! That's good for "Dance by the Light of the Moon" (S1E05) (DBLM), which, in my personal opinion, is one of first season's few serious misfires. DBLM has many strong ingredients, but, as I see it, they never quite all click.

Recap: This is the episode in which former corporate lawyer, current stripper, Ann Foley, finds "fascination" (her word) and "thrills" (Nick's word) in seducing men previously renowned for their probity into committing crimes, and then murders the survivors. Before seeing Ann, but after learning of two "good men" gone very bad, Nick begins a flashback journey through his last hours of mortality, progressing from a banquet with his comrades, to Janette's arms, to Janette introducing him to Lacroix. Along the way, Schanke and Natalie become concerned that Nick has fallen for Ann's wiles and lost sight of the case; luckily for everyone, he hasn't. Ann jumps to her death to avoid arrest.

Some thoughts on DBLM )

What do you think?

Next week: S1E06 "Dying to Know You" (DtKY)
brightknightie: Nick looking up. (Nick)
"Last Act" (S1E04) (LA) is one of FK's best episodes. Excellent writing, directing, acting. Outstanding themes, parallels, genre-entwining. Movement between the daytime human world and the nighttime vampire world. (Some bloopers with scene-to-scene costuming continuity!) On all its levels, "Last Act" is about motivations, and its tenacious grappling with why epitomizes much of what I so love in FK's first season.

As Natalie says of Erica's final play, "I know it was all about death, but I found it very life-affirming." To me, that line speaks meta not only about this episode, not only about first season, but, archetypally, is the foundation and justification of all that FK should be.

Recap: "Last Act" is the episode in which Nick's old friend and lover Erica ("How old?"/"Oh, two, three-hundred years."), a playwright, commits suicide in the sun, and Nick remembers her (and is, perhaps literally, perhaps metaphorically, haunted by her) as he investigates the suicide of a young doctor, Marilyn Siegal, slowly revealed to have been a murder. The procedural story structure offers three suspects: Doctor Cole, coworker; Dean Simmons, patient; Carl Janns, fiance. In the end, Nick and Schanke expose and capture Janns. And it is all — from Erica through Marilyn and the suspects to Nick — about motivations. Who values life, and how?

Some thoughts on LA )

What do you think?

Next week: S1E05 "Dance by the Light of the Moon" (DBLM)

Profile

brightknightie: A blue and white stylized Toronto skyline, circa 1992-1996 (Default)
Amy R.

Expand Cut Tags

No cut tags

Tags

Style Credit

Powered by Dreamwidth Studios
Page generated Thursday, August 17th, 2017 05:26 pm