For this year's
rarelywritten game, I went where I've rarely gone before: fanfiction of source material that is itself prose narrative! I've often been just a little uncomfortable, personally, with fan creations in precisely the same medium as the original. The element of transformation is stronger when the medium shifts. The comparison is less fierce, as well, perhaps. I've seen it done wonderfully! But I don't usually seek it out. Personal thing.
Then I saw this request.
Daniel Deronda (1876) was George Eliot's last, and perhaps most ambitious, novel. The ficathon request that I received was: what does Gwendolen, one of the two main characters, do post-canon? To make a long (~900 pages) story very short
( spoilers ).
My attempt to satisfy the fest request involves a London townhouse, a dinner party, a seance, and several friendships.
My sincere thanks to those who chimed in on my various brainstorms! And thanks most of all to
batdina for beta-reading! (She re-read this monster Victorian novel just for me and my recipient. Much appreciated.)
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Then I saw this request.
Daniel Deronda (1876) was George Eliot's last, and perhaps most ambitious, novel. The ficathon request that I received was: what does Gwendolen, one of the two main characters, do post-canon? To make a long (~900 pages) story very short
My attempt to satisfy the fest request involves a London townhouse, a dinner party, a seance, and several friendships.
My sincere thanks to those who chimed in on my various brainstorms! And thanks most of all to
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
On the AO3: | "Between within and without" |
Length: | 6,689 words |
Date: | April 2015 |
Rating: | G |
Characters: | Gwendolen Harleth Grandcourt, Catherine Arrowpoint Klesmer, Julius Klesmer, Mrs. Arrowpoint, Lady Pentreath, original characters |
Summary: | Five years later, Gwendolen steps up to help a dear friend and ends up confronting an old terror. |
Quotation: | "That she was beautiful had never been in doubt, as far as Gwendolen knew, but that she could meet her own gaze with neither revulsion nor complacency required tenacious confirmation. To live, she must bear her demons and her angels together. She meant to live." |