brightknightie: Natalie leaning over Nick's shoulder (N&N)
I'm afraid that I'm not up to par for this rewatch reflection. I've got a vicious cold (maybe an ear infection). Might you help fill in my gaps?

"Dying to Know You" is a strong, rich episode. Some elements look back at whence the series has already come; at least one arguably foreshadows far ahead.

Recap: "Dying to Know You" (DTKY) (S1E06) is the episode in which the wife and daughter of Conrad Hedges, a wealthy philanthropist, are kidnapped, and the wife murdered, crimes later revealed to have been at Hedges's instigation to protect his secret. A psychic named Denise Ford, who has previously worked with Stonetree, assists Nick and Schanke's investigation after a vision about the kidnapping. Denise finds herself psychically aware of Nick's vampirism. She suspects her sanity. Wondering whether he should tell Denise his secret, Nick remembers Matthew, who committed suicide when Nick didn't confide in him (c.1649-1659). Nick tells Denise. As the bad guys are brought to bay, Hedges kills Denise; Nick blames himself.

some thoughts on DtKY )

What do you think?

Next week: "False Witness" (FW) (S1E07)
brightknightie: Nick raising his hand to touch the screen from the wrong side. (Nick Again)
The least and last of first-season Forever Knight far exceeds the best and brightest of many another television series! That's good for "Dance by the Light of the Moon" (S1E05) (DBLM), which, in my personal opinion, is one of first season's few serious misfires. DBLM has many strong ingredients, but, as I see it, they never quite all click.

Recap: This is the episode in which former corporate lawyer, current stripper, Ann Foley, finds "fascination" (her word) and "thrills" (Nick's word) in seducing men previously renowned for their probity into committing crimes, and then murders the survivors. Before seeing Ann, but after learning of two "good men" gone very bad, Nick begins a flashback journey through his last hours of mortality, progressing from a banquet with his comrades, to Janette's arms, to Janette introducing him to Lacroix. Along the way, Schanke and Natalie become concerned that Nick has fallen for Ann's wiles and lost sight of the case; luckily for everyone, he hasn't. Ann jumps to her death to avoid arrest.

Some thoughts on DBLM )

What do you think?

Next week: S1E06 "Dying to Know You" (DtKY)
brightknightie: Nick looking up. (Nick)
"Last Act" (S1E04) (LA) is one of FK's best episodes. Excellent writing, directing, acting. Outstanding themes, parallels, genre-entwining. Movement between the daytime human world and the nighttime vampire world. (Some bloopers with scene-to-scene costuming continuity!) On all its levels, "Last Act" is about motivations, and its tenacious grappling with why epitomizes much of what I so love in FK's first season.

As Natalie says of Erica's final play, "I know it was all about death, but I found it very life-affirming." To me, that line speaks meta not only about this episode, not only about first season, but, archetypally, is the foundation and justification of all that FK should be.

Recap: "Last Act" is the episode in which Nick's old friend and lover Erica ("How old?"/"Oh, two, three-hundred years."), a playwright, commits suicide in the sun, and Nick remembers her (and is, perhaps literally, perhaps metaphorically, haunted by her) as he investigates the suicide of a young doctor, Marilyn Siegal, slowly revealed to have been a murder. The procedural story structure offers three suspects: Doctor Cole, coworker; Dean Simmons, patient; Carl Janns, fiance. In the end, Nick and Schanke expose and capture Janns. And it is all — from Erica through Marilyn and the suspects to Nick — about motivations. Who values life, and how?

Some thoughts on LA )

What do you think?

Next week: S1E05 "Dance by the Light of the Moon" (DBLM)
brightknightie: Nick picking up Joan's cross (Faith)
"For I Have Sinned" (FIHS) is one of the many episodes for which the German title ignores the English context. The English title quotes the traditional opening line of a Catholic confession ("Forgive me, Father, for I have sinned"), which resonates through the episode on different levels for Nick, Schanke, Magda, and Father Rouchfort — and perhaps even for an attentive audience — as well as for the villain, while the German title, "Avenging Angel" ("Der Racheengel") applies to the villain alone. (And of course this choice uses up that title before the actual "Avenging Angel" (S3E17).)

I have a bit of a love-hate relationship with FIHS. Some elements, like St. Joan and Magda, I adore! I can happily watch their scenes over and over. Other bits, like Nick egging on Schanke's confession, I struggle with. I still can't sit through that scene without chastising Nick, although I do begin to see its humor as I couldn't when I was younger.

some thoughts on FIHS )

What do you think?

Next week: "Last Act" (S1E04)
brightknightie: Nick looking up. (Nick)
I rewatched both the Region 2 and Region 1 versions of "Dark Knight, the Second Chapter" (S102).

While the Region 2 DVDs stitch the two halves of "Dark Knight" (S101 & S102) together seamlessly, where the Region 1 DVDs separate them as aired, there is otherwise essentially no difference between the two regions for DK2 (S102)! Where the Region 1 DVDs present a version of DK1 (S101) that's distressingly full of holes, lacking many scenes that originally did air in Canada, those same DVDs present an uncut version of DK2 (S102). Even scenes that didn't always air in North America (like the "I shall repay you" flashback, and Fenner cutting the brake line with Nick hearing his keys) are right where they should be on the Region 1 DVD.

I don't know why the two regions treat the two halves of the one premiere so differently. You know FK. :-)

some thoughts on DK2 )

What do you think? :-)

Next week: "For I Have Sinned" (S103)
brightknightie: Toronto sunset cityscape (Toronto)
Premiere time! Forever Knight launched in spring instead of the traditional fall, the first of its many airing oddities. Part of CBS's idiosyncratic "Crimetime after Primetime" line-up, FK showed its first two episodes on sequential nights, cut many minutes from the US airings compared to the Canadian (never mind the German), and took almost an entire calendar year to get through its first season.

Tonight, I rewatched both the Region 2 (German) and Region 1 (US/Canada) DVDs of S1E01 "Dark Knight." I won't do that every week of this rewatch project! But I may repeat for S1E02 "Dark Knight, the Second Chapter" next week. I find the missing footage extra irritating in DK. I've seen all the cut "Dark Knight" scenes in English on the taped-from-TV VHS tapes slowly degrading in my closet; there's no justification for leaving those scenes off the Region 1 DVDs! (Granted, "anything is better than nothing.") Other episodes, later in first season, have snippets that I've only seen on the German DVDs; the lack of those true "Eurominutes" doesn't bother me the same way.

a few thoughts on scenes cut and kept )

What do you think? :-)
brightknightie: Nick and his remote control (Remote Control)
So as we all know, what would become our beloved Forever Knight (1992-1996) actually first appeared as the TV movie Nick Knight (1989). It starred Rick Springfield (Nick), John Kapelos (Schanke), Robert Harper (Jack (Natalie)), Michael Nader (Lacroix), Laura Johnson (Alyce), Cec Verrell (Janette), and Richard Fancy (Brunetti (Stonetree)).

I think that I last watched it for its 20th anniversary in 2009, which would mean I'd never before seen it on as large a TV as I did tonight. :-)

a few thoughts on rewatching the original Nick Knight movie )

What do you think? :-)

Next week: FK S1E01 "Dark Knight"
brightknightie: Schanke in a Hawaiian shirt at the Dolph Inn (Schanke)
The random-number generator determined that "The Code" is the episode to rewatch and chat about, just a little, desultorily and casually, as discussed in my previous post.

Come and play! No pressure. Why not pop "The Code" into the DVD player or stream it? Why not share a thought, memory, question or joke?

It's the suit, Schank, the suit )

I hate winter )

I'll get your heater fixed; it's on me )

We met earlier )

I would have eaten glass to hear that )

Dogs go to the end )

Terrible likeness, really )

What do you think?
brightknightie: Natalie using her microscope in her lab. (Natalie Again)
What's with Natalie giving Nick engraved metal objects in second season? (The watch in "Killer Instinct" and the pillbox in "Be My Valentine.") Does she know someone in the engraving business? Did a new kiosk open in her favorite mall? Did Nick drop some sort of hint, genuinely or by miscommunication? Inquiring minds want to know! The nameplates on the plaques in "Partners of the Month" and "Can't Run, Can't Hide" are also engraved metal objects in second season, no?

Just fly-by silliness, here. :-) One week to [community profile] fkficfest/[livejournal.com profile] fkficfest!

(Actually, if I remember correctly, the earlier versions of the "Killer Instinct" script -- before Cohen was Cohen -- called for Nick to own a police academy class ring, which would be the stolen and planted item.)
brightknightie: Nick raising his hand to touch the screen from the wrong side. (Nick Again)
From a comment PJ made, I wanted to identify for certain in which Forever Knight episode Nick uses the word "slave" to describe his perception of his unwanted connection to Lacroix (as opposed to Lacroix's perception of Nick as his "brother," "son" or "protégé"). Of course Nick's perception is implicit in many episodes (e.g. "A Fate Worse Than Death," "Strings"...) But where was it explicit?

I'd mistakenly thought that the usage was part of the "I shall repay you" flashback of "Dark Knight, The Second Chapter." But no, it's not on the North American nor German DVDs (I don't have my VCR hooked up anymore to check the original Canadian cut on dubbed VHS ~grin~). What is there is:
NICK: You made me a murderer.
LACROIX: I made you a god! I made you eternal. I made you my brother.
(My memory had mistakenly matched 2:2 in that exchange: murderer/slave to god/brother.)

So where was it? Not the symbol-rich dreams of "Dying for Fame" or "Feeding the Beast." "Curiouser and Curiouser" comes close, but there it's Lacroix who says Nick is "enslaved" (by his guilt). Had I made it up, after all?

No. It's in the flashbacks of "Killer Instinct" (which, chronologically, almost immediately follow the flashbacks of "Dark Knight").
LACROIX: My protégé.
NICK: Your slave.

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