brightknightie: Urs and Nick in the Raven (Nick/Urs was dubbed "Les Miserables.") (Les Mis)
I'm sure this is not a new thought, but I haven't been able to turn up a memory of bumping into it before, and I enjoyed toying with it, so I'm sharing.

Have you ever noticed that "Hearts of Darkness" introduces Urs in a manner paralleling how "Dark Knight" introduces Nick? (Of course Urs first appears in "Black Buddha;" by "introduce," here, I mean a wider view accompanied by the night-I-came-across backstory.) That is, in both DK and HoD, the audience is supposed to suspect the protagonist of a murder — Nick, the guard; Urs, Eckhart — until fairly late in the story. (Steeped in canon, we know better; it's easy to forget to suspect them! But the episode texts pile suspicion on them.) In both, the actual murderer is hidden/off-screen, a character whom the dialogue asserts ought not be present: in DK, Janette says it can't be Lacroix, and in HoD, Natalie says it can't be Ellen.* Both episodes end with remarks about the ones who died being "the lucky ones" (DK2 Nick to Natalie about Lacroix and Alyce; HoD Urs to Nick about Ellen) and with ruminations on the ongoing difficulties of the protagonist's state (DK2 Nick to Natalie; HoD Urs to Vachon). And to take the parallel much too far, just for fun, that twitching toe at the end of HoD could be said to align with Lacroix's reappearance at the end of "Love You to Death" (that is, the murderer is not dead after all).

* Structurally, DK is superior for (among many other things) introducing Lacroix early, in dialogue and flashback, even while denying his present presence. HoD stoops nearly to the evil-twin trope basement by suddenly dropping in a third personality in defiance of all that had been previously known of FK vampires. Mystery audiences deserve fair and sufficient clues to figure out whodunnit (even if they can assemble those clues correctly only in retrospect).
brightknightie: Lisa and Schanke in Nick's kitchen (Kids)
I had FK's "Amateur Night" on while I did some other things tonight.  I pulled up short when I heard Captain Amanda Cohen say, "My daughter jumps rope."  "My daughter"!  This means that a) Cohen canonically, indisputably, has a daughter, and b) I have failed to fully absorb this fact for an awful lot of years.

"Amateur Night" is nobody's favorite episode.  I think it's underrated and deserves respect as a Schanke vehicle (with some intriguing Natalie tidbits on the side), but even I rarely rewatch it.  What do we all rewatch?  "A More Permanent Hell."  Everyone has seen AMPH a dozen times, and AN a couple, so we absorb that Cohen has photos in her office in AMPH, and miss that AN tells us who one of those photos depicts!

Okay, maybe none of you did that; maybe it's just me. ~grin~  Certainly, fanfic usually depicts Cohen as the mother of a daughter (on the rare occasions that Cohen's personal life wins a mention).  If only I had studied Cohen back when I was writing character FAQs, I would have learned better.  I have always known that Cohen has that photo of a girl in her office, but from time to time, from forkni-l to here, you'll find me ruminating on the question of whether the girl is Cohen's daughter, niece, sister, or herself as a child (alongside similar questions about the photographed couple with the leis).  Well, one question answered, anyway!  Cohen has a daughter, and she is at least as old as the girl in the picture, and still young enough to jump rope.
brightknightie: Janette and Natalie in the Raven ("It's your neck.") (Nanette)

When [personal profile] celli kindly beta-read "A Hunt by Any Other Name," my [livejournal.com profile] fandom_stocking Janette and Natalie stuck-in-an-elevator story, we chatted about the challenge of bringing those characters together.

The nature of Forever Knight keeps Janette and Natalie apart.  Whether we diagram the characters as a linear continuum, or overlapping circles, or atomic shells, the story structure puts Nick in the middle and Janette and Natalie to either side (with Lacroix and Schanke a step beyond them), representing Nick's different worlds, his dual nature.  Canon embodies some themes by physically anchoring Janette in her club and Natalie in her lab, while moving Nick between them (how much the club and the lab are respectively full of life and of death, and the thematic questions and reversals in that, is a fascinating topic of its own).

If I'm counting correctly, canon puts Janette and Natalie in the same scene in just 9 episodes (out of 70), for a total of 10-12 separate scenes (depending how you count scene interruptions).  They're together in the Raven 6 times, the loft 2, and once each at the morgue and a crime scene.  In aired order — which, in second season, is not production order, and not the order on the DVDs; grateful as I am for the DVDs, their order still irritates me — they are: list )

Did I forget any?

[Addendum: Per [livejournal.com profile] pj1228, I forgot "Close Call." It's now listed. Thanks!]

"Nick" not "Nicholas"

Saturday, June 4th, 2011 03:26 pm
brightknightie: Tracy in her kitchen, while Vachon is in her fridge (Tracy)
Pet peeve warning.

Your mileage may vary, of course, but seeing modern Nick called "Nicholas" in discussion and essays (and some present-day stories) gets my hackles up.

Born "Nicholas de Brabant," he has chosen to be "Nick Knight."  Only Lacroix unfailingly calls him "Nicholas" in the present.  (Even Janette occasionally calls him "Nick," although she does much prefer "Nicholas" in her French "Nicolas" pronunciation.)  Yes, characters are likely to be most comfortable with the name in which they met him.  Yes, "Nicholas B. Knight" is canonically his legal name in the present.  But for us to habitually call modern Nick "Nicholas," as Lacroix does, is to reject Nick's self-definition, to join Lacroix's party, to subtly deride Nick's values and worth.  It belittles him and, with him, the series of which he is the hero.

This creaky old peeve pokes up its head now because I posted to the AO3 for the first time.  (I wanted the FKFicFest collection to include my contribution.)  Overall easy and good, but it seems as if the archive's tags, especially as they appear in the filter function, are cumulative, so whoever gets there first gets to decide which words are used, how they're spelled and how they're capitalized.  (For example, "LaCroix" instead of "Lacroix.")  Well, all the pairings use "Nicholas" instead of Nick.  This irritates me.  You do what you want on your stories, naturally, but adjacent to mine?  "Nicholas Knight/Natalie Lambert."  "Nicholas Knight/Janette Ducharme."  ~wince

I know that the archive cannot — and should not be asked or imagined to! — accommodate all the intricacies of factions and interpretations and so on (not to mention the complications of Rick Springfield's Nick Knight versus GWD's).  But I do wish that whoever had gotten there first had chosen to use "Nick" instead of "Nicholas."

Ah, well.  On the subject of AO3 use, I discovered that if you accidentally select multiple author names when loading a story, you cannot later delete the extra(s).  This is a known bug and I'll be patient until a fix is found; I just wanted to share the caution so no one else makes that mistake.
brightknightie: Natalie using her microscope in her lab. (Natalie Again)
I've encountered much news coverage of a recently-released study of the state of the medical examiner and coroner systems in the US.  As summed up by Scientific American magazine, the investigative journalists discovered that "only about 20 percent of coroners have forensics certification, and most face limited resources and large workloads."  Of course this is across the border as well as across the years from our favorite fictional Toronto Medical Examiner, but the reports share diverse information and anecdotes about real life in the profession, and I thought perhaps someone might be inspired by the reporting -- besides helping address the Real Life issues, if that's within your sphere, of course! -- to write a new FK fanfiction focusing on the Coroner's Office side of the story, perhaps starring Natalie or Grace.

(In "Cherry Blossoms," Natalie says: "I'm sorry, Nick. It's been a bad day. They've cut my budget all to hell. I've got to lose two of the attendants from my shift, and they've all got families. Worst of it is, they've got nothing to go to. Working in a morgue doesn't really qualify you for anything else.")

The extensive Scientific American article is "Real CSI: Patchy U.S. Death Investigations Put the Living at Risk" by A.C. Thompson, et. al. (February 1, 2011).  The PBS Frontline documentary is now available online.  And NPR has broadcast numerous reports, including "Autopsy Cutbacks Reveal 'Gray Homicides'."
brightknightie: Natalie using her microscope in her lab. (Natalie Again)
I've tended to picture Natalie's lab as a simple rectangle, but of course it's not.  Varying a little season to season and episode to episode, it's usually arranged about like this: Map of Natalie's Lab )

What caught my attention is that it's not the walls jogging in and out that my memory had oversimplified.  Instead, in conversation with [personal profile] celli about her [community profile] femme_fic story, I realized that I have habitually, mistakenly, imagined the exam table as parallel to the counter (with the desk thus on the same wall as the counter)!  I went back through many screenshots (most courtesy of Knight Watchman) and worked out the map above, pushing and pulling at my longstanding mistaken impression.  Why had I pictured the exam table sideways?

Wide shots of the lab are rare, of course, but that's not the key.  I concluded that it really comes down to FK's tete-a-tete filming style, in which conversations between two characters do not usually show both on screen at the same time when that would require the camera to back up to capture both.  Instead, the camera more often flips from framing one character's torso to framing the other's, showing each against his/her own background throughout the conversation.  Of all the scenes in Natalie's lab, so many frame Natalie against her desk and Nick (or Schanke, Grace, Tracy) against the counter, with no hint of the wall space between.  My imagination had discarded the "missing" wall, the one with the chalkboard on it.
brightknightie: Nick's caddy parked at his loft ("My Fandom Knows Trunk Space") (Caddy)
This weekend, I ended up spending a little time off my feet with my FK DVDs after mangling some muscles helping a family member move.

I happened to watch "Dance By the Light of the Moon" right after "Love You to Death," and so was able to notice that Ann Foley's earrings in her home in DBLM are Janette's in the precinct in LYTD.  These are gold-tone earrings with a roughly diamond-shaped nugget at the ear, suspending a dark round stone (the size and shape of a marble) at chin level.  Inside the story, shall we imagine that they are haute couture designer earrings that Janette and Ann both happened to purchase, Ann with her corporate-lawyer savings?  Could we imagine that Janette and Ann instead both wear costume jewelry as pleases them?  Surely there's no scenario in which Janette would actually be wearing the by-then deceased murderer's earrings -- is there?  Could Ann have inherited them from or bequeathed them to someone with a connection to Janette?  (Just making stories. ~g~)

Spotting recycled props and costumes can be as much fun in FK as identifying returning actors.  Read more... )
brightknightie: Nick on his couch, smiling. (Nick Amused)
Interested in sharing reflections on some favorite Knightie moments?  These would be episodes, scenes or recurrences that are pro-Nick in his canonical hopes and goals: times he got it right, times to root for him, times he gave his all.  By definition of the traditional Knightie affiliation, these would be celebrations in accord with the Knightie Creed (quoted in the subject line).

Yep, this game is pretty self-indulgent (unless there are any other Knighties around?).  If you post on your blog for your own FK affiliation, I'll do my best to contribute!  But here... I'm a Knightie.  Revisit, reaffirm, restore?

No rush.  The post will be here whenever.

My Favorite Knightie Interlude )  And Runner-up )

So what are your favorite Knightie moments?

To Join the Living

Sunday, June 27th, 2010 07:40 pm
brightknightie: Nick in a diner squirting ketchup on fries (Food)
In the LJ conversation on a previous post, the subject of whether or not FK vampires can starve to death came up and, in that context, so did the interpretation that Lacroix treated Nick as he did throughout Forever Knight "because Nick was very suicidal."

That is Lacroix's view, and it's not an uncommon view in the fandom.  Lacroix thinks that Nick is suicidal for desiring and pursuing mortality, for preferring humanity to vampirism.  If Lacroix's premise of the futility of humanity is accepted, the interpretation that Nick is suicidal follows.

I disagree with that premise.  I hold that pursuing humanity should not be construed as pursuing death.  In the baseline metaphor of FK as I see it, personally, Nick is Everyman and humanity is salvation; Nick will never get it in this life, but that doesn't make it the wrong goal.  Regardless of metaphors, the hero's fictional desire to escape vampirism by returning to humanity should not be taken as equivalent to a real human desiring to end his/her life.  That's grotesque.  Nick, undead, is striving to rejoin life, not to join death.  That death comes to all living things does not void the life lived.

I interpret that Nick is not suicidal except at two distinct, somewhat bizarre, points in the series.  TPTB suddenly crammed Nick's assisted suicide down our throats in "Last Knight," the final episode of third season, and there's a gesture in the direction of suicide for Nick with "Near Death," which originally aired near the end of second season (not in the order now on the DVDs), but before and aside from those two episodes, the guiding text is "Last Act," from near the start of first season, in which Nick forcefully, explicitly rejects suicide.  Read more... )
brightknightie: Urs and Nick in the Raven (Nick/Urs was dubbed "Les Miserables.") (Les Mis)
I know that I said that I wouldn't do a "personal favorites" list from [livejournal.com profile] fkficfest, and would stick most sincerely with urging everyone to check out the masterlist and tags to find the stories that will inspire and enthrall your unique FK imagination.  The ficathon game was privileged to see loads of gen and N&N, some IB and Seducer, a dash of UF and Nanette, and more...

But may I make just one exception?  I would like to commend to your enjoyment the beautiful "Theory of Lost Things" (PG-13, 3000 words, Nick/Urs, flashback Janette) that [personal profile] leela_cat wrote to match my very own [livejournal.com profile] fkficfest prompt.  Her story is well-written, thoughtful, canon-aware and lovely, building a rare pairing with delicacy, grace and realism.  It also immensely satisfies me, personally, reconnecting me with a possibility that once shone in my love of FK, but which became tarnished through no fault of its own.  I don't expect that this pairing calls to many the way it calls to me.  I do think that the story makes its own striking case for a choice that could have broken free of third season just in time to earn all the characters a different chance at happier fates.  The story filled me with enthusiasm for what could have been.

Nominally, Nick/Urs is the "Les Miserables" couple faction.  Some Thoughts on Nick/Urs, in Canon and Out )

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